Futura Black Font Family
Originally drawn by Josef Albers in 1926 at the Bauhaus, then later composed as a typeface by Paul Renner in 1929. URW now brings us this design classic digitized and ready via opentype format.
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https://www.myfonts.com/fonts/wiescherdesign/futura-classic/
FuturaClassic is a recut of Paul Renners original Futura. This version was what Mr. Renner wanted the Futura to look like. He had to change his very stringent design because the market wanted a more pleasing typeface. I think the original design is worth saving because it is much more typical and has a personal and distinguished touch. I have also designed Geometra Rounded with rounded endings that looks more interesting than your usual DIN type.
https://www.myfonts.com/fonts/efscangraphic/futura-sh/
Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting.
https://www.youworkforthem.com/font/T1026/futura-display
Released in 1932, Futura Display (Futura Schlagzeile) uses more angular strokes than the traditional design, resulting in rectangular letter forms. Designed by Paul Renner.
https://www.youworkforthem.com/font/T0990/futura-no-2
Futura No. 2 is Letraset's version of Futura from the 1980s, digitized by and at URW in opentype format. Futura. The very name brings to mind jet-age splendor of the highest order, and indeed the text on the commemorative plaque left behind on the Moon by the Apollo 11 astronauts in July, 1969 is set in Futura. There is no other font that can do what it does with the same impact. You might say Futura is to Helvetica as driving a Porsche is to driving a Toyota--they both get you there, but the former does it with so much more fun.
Futura was designed by type design luminary Paul Renner, and is used extensively in advertising and logo design, by IKEA, Volkswagen, Shell, HP and many more. Used in any headline or body situation, Futura can bring you all the magic, promise and forward-looking sans power in an iconic and powerful way, as director Stanley Kubrick knew--it was his favorite font.
- Futura. The very name brings to mind jet-age splendor of the highest order, and indeed the text on the commemorative plaque left behind on the Moon by the Apollo 11 astronauts in July, 1969 is set in Futura. There is no other font that can do what it does with the same impact. You might say Futura is to Helvetica as driving a Porsche is to driving a Toyota--they both get you there, but the former does it with so much more fun.
- Futura was designed by type design luminary Paul Renner, and is used extensively in advertising and logo design, by IKEA, Volkswagen, Shell, HP and many more. Used in any headline or body situation, Futura can bring you all the magic, promise and forward-looking sans power in an iconic and powerful way, as director Stanley Kubrick knew--it was his favorite font.Commissioned by the Bauer type foundry, Futura was commercially released in 1927.
https://www.myfonts.com/fonts/paratype/futura-book/
Futura was designed for Bauer company in 1927 by Paul Renner. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Issued by the Bauer Foundry in a wide range of weights and widths, Futura became a very popular choice for text and display setting. Originally Cyrillic version of eight styles was developed at ParaType (ParaGraph) in 1995 by Vladimir Yefimov. Additional Cyrillic styles were developed in 2007 by Isabella Chaeva. Simultaneously, the old eight styles were partly revised to match the whole family. Now the new Futura is an uniform type system, consisting of seven weights with corresponding obliques plus eight condensed styles. All these fonts are coordinated in letterforms, metrics, and weights to work better together.
Futura ND Font Family $1538 | 33 x TTF | Turkish Support
http://www.myfonts.com/fonts/neufville/futura-nd/
Futura does give a restful, almost bland impression, which accords with Renner’s objectives. Futura seems classical, not only due to the form of its capitals, but also to the open, wide forms of the geometrical small letters. The typeface relies on notions of classical, yet contemporary form — harmony and evenness of texture.Futura ND was completely digitized anew from the original sources of the Bauersche Giesserei, now held by Bauer Types in Barcelona. Thanks to the modern digital technology Futura lives on in a greater variety than ever, offering a wide choice of typographic solutions for contemporary design in the new millennium.
Futura Font Family - 20 Font 580€
TTF | 474 KB
First presented by the Bauer Type Foundry in 1928, Futura is commonly considered the major typeface development to come out of the Constructivist orientation of the Bauhaus.movement in Germany. Paul Renner (type designer, painter, author and teacher) sketched the original drawings and based them loosely on the simple forms of circle, triangle and square. The design office at Bauer assisted him in turning these geometric forms into a sturdy, functioning type family, and over time, Renner made changes to make the Futura fonts even more legible. Its long ascenders and descenders benefit from generous line spacing. The range of weights and styles make it a versatile family. Futura is timelessly modern; in 1928 it was striking, tasteful, radical - and today it continues to be a popular typographic choice to express strength, elegance, and conceptual clarity. Typefaces in the same style like Futura are: Avenir, Metromedium, Neuzeit Grotesk,
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